Published on February 3rd,2010 at 5:02 PM
By >Akihabara News Team

Upcoming CANON Professional Camera adopts MPEG-2 Full HD File-based Recording Codec

Canon USA announced that their upcoming professional video camera adopted MPEG-2 Full HD (4:2:2) file-based recording codec as MPEG-2 codec delivers higher quality imaging and audio performance while file-based recording helps achieving better results during post-production.

LAKE SUCCESS, N.Y., February 2, 2010 – Canon U.S.A., Inc., a leader in digital imaging, announced today the Company has adopted an MPEG-2 Full HD (4:2:2) file-based recording codec for a new file-based professional video camera currently under development. The new Canon MPEG-2 codec will enable high-quality imaging and audio performance with up to 50 Mbps data recording and twice the color data of the HDV*1 profile format. File-based recording helps video operations realize greater efficiencies during post-production, making it an ideal format for many industry applications such as newsgathering, documentary filmmaking and event videography. The main features of the new Canon MPEG-2 codec include:

MPEG-2 Full HD compression and 4:2:2 color sampling
The adoption of MPEG-2 Full HD (MPEG-2 4:2:2P@HL compliant) compression enables the recording of 1,920 x 1,080-pixel full high-definition video. Additionally, compared with the 4:2:0 profile format used in HDV and other standards, 4:2:2 color sampling offers twice the volume of color data, providing double the level of color resolution.

Maximum 50 Mbps data recording
With approximately twice the data volume of HDV, the new codec supports higher resolution and increased color data to enable the recording of high-quality video.

Industry-standard MXF*2 file format
MXF (Material eXchange Format) is a widely supported open source file format for the recording of video and audio and metadata, developed to suit the latest editing systems used by broadcasters.

Canon partners with major editing and processing software developers
To support the swift adoption of its new MPEG-2 Full HD (4:2:2) file-based recording codec, Canon is working in cooperation with Adobe Systems Incorporated, Apple Inc., Avid Technology, Inc. and Grass Valley to ensure compatibility with major editing and processing software programs widely used within the video imaging industry. Additionally, at future industry events, Canon intends to demonstrate the overall video-production workflow, from initial video capture to clip-trimming and final editing, with video clips stored in a file-based recording system and using industry-standard software applications.

Advantages of File-Based Recording

File-based recording enables video and audio data to be managed and stored by file, much in the same way as computer data. It supports efficiency throughout the production process, from initial video capture to final editing through the entire workflow. Additionally, file-based recording provides users with the flexibility to utilize different editing environments and workflow solutions without the restrictions associated with some other video recording formats, helping to reduce investment costs.

Via Canon USA
Category Camcorder
              
Upcoming CANON Professional Camera adopts MPEG-2 Full HD File-based Recording Codec
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Comments
 

  • http://vampirelles.blogspot.com Sharpedon

    I cannot understand why Canon still insists on launching “new” MPEG-2 products.
    MPEG-2 is aged,inefficient and storage hungry.It is early ’90s technology.
    MPEG-4 AVC/H.264 is much more efficient and supports up to studio quality 4:4:4 chroma(color) subsampling and up to 14 bits per color;it even has a lossless compression option(under High 4:4:4 Profile) in cases storage/bandwidth are no issue,e.g. for studio archiving.
    At roughly the same Mbps MPEG-2 offers 4:2:2 colors H.264 can offer 4:4:4,i.e. the double color depth.Or quadruple of what the MPEG-2 4:2:0 profile provides.
    I wonder whether the continuing MPEG-2 legacy is due to compatibility issues or designing/licensing costs..

 

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